#harekrishna #krishnaconsciousness #ShriKrishna #RadheRadhe #KrishnaDevotee #Vaishnav #Bhakti #Govind #Hindu #Pichwai that depict Nand Mahotsav are typically very grand, and depict a child in a cradle below the main #Shrinathji figure, with Yashoda and Nanda on either side of the cradle. Usually, the Shrinathji idol is placed in a cradle after the ‘Mahabhog Aarti’ that takes place on the day, and Yashoda is placed next to him to swing the cradle. In Nathdwara, this festival is celebrated by incorporating the figures of Nanda and Yashoda in the daily temple rituals. This day is celebrated with great fervour by Krishna devotees, usually by re-enacting scenes from his childhood, like his curd and butter stealing. Nand Mahotsav occurs on the day after Janmashtami, and it celebrates the arrival of Krishna into the home of Nanda and Yashoda, his foster parents. She had a library at her home and her collection included books by #AlistairMcclean, #GulsanNanda, #EmilyBronte, she also loved reading #AgathaChristie and many more authors. #FaizAhmedfaiz, #Qateelshifai, #Rumi were among her favourite poets.
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She was grateful that she had many genuine supporters who believed her poetry was poignant and her style of expression original and unique. She was aware of their distaste and made an effort to not let it affect her outpourings. Some of them, the superior poets were dismissive of her as a glamorous presence in a gathering of serious literateurs. Meena Kumari looked forward to such occasions, she looked forward to listening to great poets but not all of them were encouraging. It was Azmi and Adil who encouraged her to pen her thoughts and participate in mushairas. Poet #KaifiAzmi and #VishwamitraAdil were her neighbours and they often met up for an impromptu kavisammelan at home. Her friends reveal that when she was happy with what she wrote, she shared her poetry via long letters to her writer friends, seeking their feedback and they responded via letters and sometimes a surprise visit to her shooting location After pack up, she usually spent her time in her room jotting her thoughts on paper and when she got exhausted, she went down for a stroll in the hotel garden because she liked watching the moon. It is said that #MeenaKumari never traveled to outdoor locations without her books and her favourite set of pens and papers. #thankful#blessed#mahabharat#7yearsofmahabharat#gandhari - on Instagram I mean somehow they managed to give me leave when it was next to impossible for them so that I could study and give exams.Īlways will be grateful for this opportunity and all the love from around the world. I want to thank who really supported me during my performances as well as my exams. Well that’s how my journey in acting career started for me. My classmates were excited as well and decided to join me.I was sitting on the floor in front of the t.v. I told my teachers about the show and how important it is for me so they gave me special permission to watch the television in teacher’s lounge. I really wanted to watch the first episode but the students weren’t allowed to watch television. I remember I was in dehradun for my exams as I was in my 1st year. Yesterday, we completed 7 years of Mahabharat. #LGBTHistoryIndia #Firethemovie #HaveprideinHistory #LGBTIndia #Gayfilms - on Instagram Picture 3- Protesters vandalising poster of Fire. Video 1 & 2- at a press conference, sourced from Youtube of. They also held that the movie’s storyline would spoil Indian women and would lead to the collapse of marriage as an institution. In both cities, the protesters were primarily women affiliated with the.
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The following day a similar group attacked a theatre in New Delhi where Fire was being viewed. The Shiv Sena,a right wing Hindu organisation under the leadership of Bal Thackeray with roots in Mumbai, accused the film of being alien to Indian culture and tradition and of affronting its values.In December 1998, a small group of protesters halted the screening of Fire in two Mumbai theatres.
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The site of controversy over the release of Deepa Mehta’s film Fire in 1998 in India was a highly contested space with varied claims pertaining to a wide range of issues – from lesbian rights and politics to Hindu Nationalism (The fiery periphery of the ‘parivar’, Furore over a film), from right to the freedom of expression to the recent changes in Indian culture and tradition, it invoked a range of questions & the central focus continuously shifted depending upon the set of concerns.The film was first released in 1996 both in Europe and the US and won several international awards, & Mehta’s next project was already in the anvil.But the release of Fire in India provoked the guardians of morality– for the lesbian theme it sketched in the backdrop of a traditional/patriarchal Hindu joint family – who protested against its screening in different parts of the country.